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Le Bukhara Restaurant

A top-floor eatery's star dish is an elegant, more refined cousin of vindaloo.

All shook up

1 out of 5 The handheld camera adds to the confusion in this B-movie screamfest.

American Teen

4 out of 5 An intimate documentary lays bare the truth behind America's teenage stereotypes.

Manon

An impressionable heart led astray by a wealthy backer is torn in Manon.

Shane Forrest: Deface

An urban achaeologist of paper, Shane Forrest peels back layers of pop history.

Red Mint

You won't believe the buzz of Darling Harbour is just down the road.

Angel Hotel

Busy night or not, keeping thirsty patrons waiting is a cardinal sin in Sydney.

Eurolounge

With 40 varieties of the brew to choose from, aficianados will revel in this aromatic pastime.

Uccello

Where high-flyers roost and the birds wear cocktails and bikinis.

Ray & Lou's

The steaks are taken seriously and are seriously good.

The Strip

Everyone is easy on the eye, even the attractive older cop boss, but the show doesn't work.

The Mystery of the Mary Celeste: Revealed

Re-enactments about in this documentary that claims to set the story straight.

Bloc Party

Gig preview: Bloc Party's dance-rock is intimate but never warm.

Dan Wilson

Gig preview: You mightn't have listened to this multi-instrumentalist but are sure to have heard songs featuring his touch. 

This week's highlights

Our critics' picks

Gigs

When the Pixies split in 1993, Black Francis started a solo career under the name Frank Black, releasing a torrent of albums over the following decade. They were patchy, sure, but still rich with gems. Over time, he started including more of the songs he'd written for the Pixies in his solo gigs. Then, in 2004, the Pixies re-formed for a series of shows (they finally reached Australia last year); and now Frank Black has reverted to the name Black Francis and released two of the noisiest, best albums of his career. He is playing this week at the Metro. - Sacha Molitorisz

Film

The Duchess is a superior bodice-ripper about the cult of celebrity, 18th-century style.- Sandra Hall

Art

Portrait galleries were once filled with sombre oil paintings of the great, the good and the dead. Established in an era of pursed-lipped 19th-century morality, portrait galleries overseas didn't want to risk the scandal that would result should a living aristocrat elope with the governess. Heaven forbid. Galleries reflect their times and in today's celebrity-obsessed world, it is images of the famous that are among the biggest crowd-pullers. But what drives this fascination? Why do we love looking at them? And what makes a good photographic portrait? For Andrew Sayers, director of the National Portrait Gallery, the fascination is about what an image reveals about the subject. - Joyce Morgan